Tuesday, 17 January 2012

Philip Wilson Steer

Philip Wilson Steer
109 Cheyne Walk
LONDON SW10
Erected by: Greater London Council in 1967
Lived Here: ???

Me - Helen Ross

Philip Wilson Steer
Self Portrait
Philip Wilson Steer OM (28 Dec 1860 – 18 March 1942) was a British painter of landscape and occasional portraits and figure studies. He was a leading figure in the Impressionist movement in Britain.

Philip Wilson Steer was born on 28 December 1860 in Birkenhead, in Merseyside, near Liverpool. He was the son of the portrait-painter, Philip Steer (1810-1871).  After finding the examinations of the British Civil Service too demanding, he became an artist in 1878. He studied at the Gloucester School of Art and then from 1880 to 1881 at the South Kensington Drawing Schools. He was rejected by the Royal Academy of Art, and so studied in Paris between 1882 and 1884, firstly at the Académie Julian, and then in the Ecole des Beaux Arts under Cabanel, where he became a follower of the Impressionist School.   Between 1883 and 1885 he exhibited at the Royal Academy. In 1886 he became a founder of the New English Art Club, with whom he continued to exhibit regularly. Between 1893 and 1930 he taught painting at the Slade School of Fine Art, London. He lived in Chelsea, but in the summers painted in Yorkshire, the Cotswolds and the West Country and on the south and east coasts of Britain.  During World Wart 1 he was recruited by Lord Beaverbrook, Minister of Information, to paint pictures of the Royal Navy.  
Children Shrimping
Philip Wilson Steer

In 1931 he was awarded the Order of Merit.  He died in London, 18 March 1942.  Steer is best known for his landscapes, such as 'The Beach at Walberswick' (1890; Tate Gallery, London), and 'Girls Running: Walberswick Pier' (1894, Tate Gallery, London). With Walter Sickert he became a leading British Impressionist. Besides the French Impressinists he was influenced by Whistler and also by such old masters as Boucher, Gainsborough, Constable and Turner. He also painted a number of portraits and figure studies (e.g. 'Portrait of Mrs. Raynes' (1922, Tate Gallery, London)  His self-portrait is in the collection in the Uffizi Gallery, Florence.  He also taught such artists as Anna Airy, an etcher.

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